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State of the art

Exploring Roppongi and Tennozu, 2 of Tokyo's artsiest neighbourhoods

Nosotros know it'south difficult to believe, but Roppongi, Tokyo'due south glitzy underbelly of pricey booze, sleazy clubs and bazaar shopping, lives a double life every bit the metropolis's fine art hub. The capital's most famous amusement district, in one case known as 'High Touch on Town', prides itself on an impressive array of pocket-sized galleries and large museums – the cultural legacy of gentrification efforts over the last decade.

Further southeast, Tennozu Isle is no stranger to the fine art, or artifice, of transformation from the bottom upward either. In fact, the artificial isle was literally dredged up from the depths of Tokyo Bay during the 1920s and '30s. Recently, extensive waterfront planning has seen the hitherto quiet warehouse district re-emerge every bit a exist-muraled town dotted with canalside cafés, high-rise office buildings, hip hotels and fine art galleries.

Roppongi

This twelvemonth, Roppongi's art cred was raised to new heights with the opening of the Complex665 building (6-5-24 Roppongi, Minato-ku), which houses a trifecta of influential galleries: Tomio Koyama, ShugoArts and Taka Ishii. The building sits on a residential back street tucked abroad from the hustle and hurry of Roppongi, but is hard to miss thanks to what appears to be a squiggle painted on its side. This symbol is the logo designed for Complex665 by artist Yoshihisa Tanaka, who imagined how a 'fictional artist named 665 might sign their own work'.

A major role player in Tokyo's contemporary art scene, Tomio Koyama Gallery moved into the second floor of the building from their previous location in Sendagaya, employing young architects Toru Murayama and Ayako Kato to design their new two-room exhibition space. They represent an impressive roster of artists in Japan, including wunderkind lensman Ryan McGinley, American post-minimalist Richard Tuttle and Yoko Ono.

Besides on the second floor is ShugoArts, who have championed the advanced of Japanese fine art since the mid-'80s. Their gallery was designed by builder Jun Aoki, also responsible for facelifting the façade of the Louis Vuitton building in Ginza. Unlike their flatmates, ShugoArts keep the shop open on Sundays.

Calling dibs on the top bunk are Taka Ishii Gallery, who represent heavy-hitters like Elmgreen & Dragset, Nobuyoshi Araki, Daido Moriyama and Thomas Demand. Article of furniture and interior pattern gurus Broadbean, whose offices occupy the basis flooring, were enlisted to pattern the sleek gallery infinite on the third floor, which wonderfully feeds off natural light coming in from the plant terrace.

If y'all've enjoyed killing a whole flock of birds with i stone, then head over to the Piramide Building (vi-6-9 Roppongi, Minato-ku), which is another great example of the tried-and-tested 'ability in numbers' model of art collectives. Leading galleries Ota Fine Arts and Wako Works of Fine art are amongst its famous tenants.

Ascent above the rest both in height and, arguably, in might, the 238-metre Roppongi Hills Mori Belfry is home to the Mori Art Museum, which holds some of Tokyo's nearly ambitious and influential exhibitions. A retrospective defended to the Indian artist Due north Southward Harsha volition be unveiled in February 2017.

The abstraction of way (and fragrance) designer Issey Miyake and fellow design greats Taku Satoh and Naoto Fukasawa, 21_21 Design Sight more than underscores Roppongi'due south role every bit the focal point of Tokyo'southward fine art scene. The mutual focus of their always-irresolute lineup of exhibitions is interdisciplinary pattern.

The National Art Center (NACT), designed past Kisho Kurokawa of Nakagin Sheathing Tower fame, boasts the largest exhibition infinite of any museum in Japan. Unlike most of its counterparts, NACT is an 'empty museum', which means it does not have a permanent collection, instead choosing to committee 1-off exhibitions – their Monet show was the second near visited exhibition in the earth in 2007.

Located in Tokyo Midtown and designed past renowned architect Kengo Kuma, the Suntory Museum of Art possesses the biggest collection of Japanese craft in the country, comprised of a whopping three,000-plus objects. Their tea ceremonies, staged on the sixth floor every second Thursday, are a must do.

And for the 'Peanuts' fans out there, Roppongi has a Snoopy Museum, showcasing Charles M Schulz'due south original drawings and fine art for the dearest serial. A number of the cartoonist'southward early works, vintage collectibles and other materials are also on display.

Tennozu Isle

Backed by the Terrada warehouse company, which does far more than merely stock Tokyoites' leftover belongings, Tennozu'southward new Archi-Depot museum displays a whopping 116 architectural models by Japanese starchitects, including works by Kengo Kuma, Shigeru Ban and Riken Yamamoto. While the exhibition warehouse isn't exactly a sight to behold, the architectural models – depicting both existent buildings and unrealised projects – gleam like miniature cabinets of curiosities. After paying a visit to Archi-Depot, you're sure to walk away with a renewed appreciation for Tokyo's beautiful buildings, frequently overlooked in the relentless hustle and bustle of our dear city.

But a stone'southward throw abroad from Archi-Depot lies the striking art supplies 'laboratory' Paint, designed by Kuma and inspired by the look and feel of bamboo. It stocks more than 4,500 colour pigments, 50 kinds of animal glues, and a number of top-quality traditional painting tools including over 200 antique ink sticks. The staff are all well-versed in the intricacies of the products and are happy to testify you how to use them.

Taking a cue from their comrades over in Roppongi, four contemporary art galleries recently decided to nestle against each other on the 3rd floor of the Terrada Art Complex. The quartet is comprised of Kodama Gallery, who are getting ready for a solo show past Japanese artist Gaëtan Kubo opening January 14; Urano, representing domestic talents such every bit Takahiro Iwasaki, who volition exist flying the flag for Japan at the 2017 Venice Biennale; Yamamoto Gendai, who count the legendary luminary Richard Serra among their artists; and Yuka Tsuruno Gallery, known for their collaborations with renowned artists Candida Höfer and José Parlá. Lest you forget your surrounds, the galleries are located inside a fully operating warehouse and are just accessible by a service elevator.

As the former and current residents of neighbourhoods like London'south Shoreditch and New York's Brooklyn volition tell you, gentrification is a double-edged sword that tears through the old to make way for the new. Whichever side of the tertiary wave café/local caff divide you're on, the number and density of art galleries is often a expert litmus examination for how far a neighbourhood has come downwardly the line. Less than half an hour apart, Roppongi and Tennozu Isle offer two dissimilar cases to study for those interested in the sociocultural effects of Tokyo's urban planning. Or you could simply await at the art.

Terrada's principal warehouse (2-vi-10 Higashi-Shinagawa, Shinagawa-ku) is holding an exhibition on David Bowie from Jan 8 to April ix – be sure to become your tickets in advance.

Detect more galleries in Roppongi

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Source: https://www.timeout.com/tokyo/art/state-of-the-art

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